Mir Aulad remains a bit of an enigma, especially as his name and origins are subject to speculation. Sometimes spelt phonetically, ‘Meer Owlad Allee’ was from Oudh (now known as […]

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In his review of T. Ryle Dwyer’s Behind the Green Curtain (HI 18.2,March/April 2010), Eoin Dillon states that the book ‘allows present-dayneutrality to be presented as contingent, a pragmatic response […]

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Sir,   —Your edition of Jan./Feb. 2009 contained an interesting article by Risteárd Mulcahy on Leo Whelan’s painting GHQ staff, 1921. The caption identifies two of the people portrayed as […]

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